![]() The middle emblem has the D in the music lyre and Noblet in the oval. Not have ebonite bells and had bores similar to the L27s – stillĪs you can see there was an evolution of the emblem. Were later known as Model 27s after the emblem change. Some model 40’s had ebonite bells and those ones The 2nd C tonehole was actually quite a bit smaller than the regular toneholes. The Noblet Stubbins had a double C key cup, both on the same mechanism. On C cup was opposite the C# key cup. See Leblanc StubbinsBut it had an extra key cup on the lower joint (The Leblanc had more complex keywork on the upper joint too). The Noblet Stubbins was not a “full Stubbins” such as the Leblancs – The C#/G# key as it started below the upper key rods. One thing to watch over time was the location of the pivot location of This is purely a guess but I will watch that virtual showroom, aka eBay, for Noblets to see if I can gleen more information about early Noblets. If I were to guess, I would have to suspect that Noblet had a stash of early Noblet’s that they did not sell until later on. #27 noblet paris clarinet plus#The very top picture shows the shared throat keys with an adjuster. These pictures have no adjuster, plus the other differences, thus there were two versions (at least) of the shared throat key posts Noblet. If you compare these pictures to the very top picture there are striking differences. This post installation is excessive quality which was dropped at some point. Thumbrest, shared throat keys, Lowerjoint spatula keys share one post.Ĭonstruction is truly top notch as most posts has single and double screw mounts to the body. ![]() This early Noblet has a “newer” emblem but has significant cues from an earlier model, such as : thumbrest has one screw above and below the #27 noblet paris clarinet serial numbers#
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